Showing posts with label 2013. Show all posts
Showing posts with label 2013. Show all posts

Tuesday, December 24, 2013

Fall glory at the horse farm

Finally Autumn and Mellow Now the Last Fruits

"Finally Autumn!" (top -- NFS, wedding gift for Jodi & Amy Edwards ♥) and "Mellow Now the Last Fruits" (bottom -- SOLD), both 5" x 7", acrylic and china marker on panel, 2013.

Two views of the same horse farm here in Lusby, MD. One of my favorite places from any angle. The title of the second painting comes from Ted Berrigan's poem "Autumn's Day", which you may read here.

Thursday, November 14, 2013

A bit of news

Framed and off to the gallery
It is my great honor to share with you that these two paintings are on their way to Bishop's Stock Fine Art, Craft & Wine in Snow Hill, Maryland. They will hang in the gallery next to the likes of Lynne Lockhart and Nancy Thompson and Kirk McBride and Stan Sperlak and Leslie Beloso (and frankly too many other excellent artists for me to mention, but here's a list)!!! I am really trying to be cool about the whole thing, but Bishop's Stock is my favorite gallery in the entire world. And gallery owner Ann Coates is the mastermind behind Paint Snow Hill, my annual spring plein air sleepaway camp. Ann is simply the best! So if there is more information about this to share, I will do so as it becomes available. Meanwhile I will concentrate on being cool, as if awesomeness like this happens to me every day. -- Edited to add: both paintings SOLD at Paint Snow Hill 2014!

Wednesday, November 6, 2013

A peek at my process

Daybreak work in progress
Daybreak - 7" x 5", acrylic and china marker on panel, Barbara Mowery 2013. NFS - wedding gift for Anita and Alex Crawford.

I took some (late night) shots of this painting in progress so you could see my painting process. At least this is the process I've been using for a lot of my tree paintings. I don't always go at things the same way.

1) I started with magenta underpainting. If you look closely among the red leaves, you can see that this used to be a horizontal painting of a poultry barn. Then I used light blue to lay in the sky bits first.
2) I added in the darkest darks with a transparent purple.
3) Then came medium-dark greens and some fine turning of the sky tones.
4) And finally I added the highlights in the branches and the glow of the rising sun through the lowest branches.

Daybreak completed
Here is the final painting. By the time the painting is finished only some little hints of magenta are peeking through, but it really adds depth to the painting and complexity to the colors.

Daybreak framed
Backing up a little shows off the sky colors and gives a sense of the "glowiness" of the morning sun I was going for. I like giving images of sunrise and springtime as wedding gifts, as the couple begins a new day/season together.

Wednesday, October 30, 2013

Pine trees

Stand of White Pines
Stand of White Pines, 5" x 7", acrylic and china marker on panel - SOLD.

Thyself Beneath Whatever Sky
Thyself Beneath Whatever Sky, 12" x 9", acrylic on canvas.

The Wind's Cathedral
The Wind's Cathedral, 10" x 8", acrylic and china marker on canvas - SOLD.

In the shop. The house I grew up in is in the heart of a white pine grove. The trees were all planted by my grandfather in 1928 when he was 12 years old. The seedlings were supplied by the University of Maryland for agricultural research. And for many years students came to make observations and measurements. The University has long since forgotten them. My father's cousin Margie remembers when the pines were so dense that you had to be really brave to walk from her grandparents' house (where I grew up) and her Uncle Dave's house (my grandparents' house). But by my time the pines--hundreds of them--had all stretched to a hundred feet or more. They have brittle limbs and shallow roots, and they rock dangerously in storms. In 2003 Hurricane Isabel felled twenty of them. It was a scary night, a miracle that the houses and cars were not damaged. My mother has been removing them one by one as she can afford it. They are beautiful and tragic at the same time. This poem captures the white pines so well, although the very fortunate Mr. Jenkins only has three to contend with. 

"Unfortunate Location"
by Louis Jenkins

In the front yard there are three big white pines, older
than anything in the neighborhood except the stones.
Magnificent trees that toss their heads in the wind
like the spirited black horses of a troika. It's hard to
know what to do, tall dark trees on the south side of
the house, an unfortunate location, blocking the
winter sun. Dark and damp. Moss grows on the roof,
the porch timbers rot and surely the roots have
reached the old bluestone foundation. At night, in
the wind, a tree could stumble and fall killing us in
our beds. The needles fall year after year making an
acid soil where no grass grows. We rake the fallen
debris, nothing to be done, we stand around with
sticks in our hands. Wonderful trees.

Thursday, October 17, 2013

Wide format

Stops My Car
Quiet Contemplation
Now I'm Gold
Five O'Clock Shadow
Colonial Bones

I've had a stack of 6" x 12" canvases sitting around for a few years and a series of landscape paintings in my mind that I wanted to to work on--a perfect match. From top to bottom the titles are "Stops My Car" - SOLD, "Quiet Contemplation," "Now I'm Gold" - SOLD, "Five O'Clock Shadow" - SOLD, and "Colonial Bones." All of them feature subjects from the Snow Hill, Maryland, area and are in the shop now.

Abandoned Farmhouse

Not among the wide format paintings but another recent small piece is "Abandoned Farmhouse", 5" x 7", acrylic and china marker on canvas panel. - NFS, wedding gift for Dan and Theresa Smith.

Tuesday, September 17, 2013

New paintings

Corner pocket
Corner Pocket, 5" x 7", acrylic on canvas panel, 2013.

Porter's bend
Porter's Bend, 14" x 11", acrylic and china marker on masonite, 2013.

Old Coster Roadbed
Old Coster Roadbed, 14" x 11", acrylic and china marker on masonite, 2013 - NFS.

Top of the morning
Top of the Morning, 14" x 11", acrylic and china marker on masonite, 2013.

Dogwood
Dogwood, 10" x 8", acrylic and china marker on canvas, 2013.

Conference call
Conference Call, 10" x 8", acrylic and china marker on canvas, 2013.

Pocomoke River Spring
Pocomoke River Spring, 7" x 5", acrylic and china marker on canvas panel, 2013 - NFS.

Friday, July 26, 2013

Shop update

Skyward
Skyward, 10" x 8", acrylic and china marker on canvas, 2013 - SOLD.

Treetop
Treetop, 12" x 9", acrylic and china marker on canvas, 2013.

A little mid-summer shop update with paintings of some lovely old trees in my backyard. Check out more photos here.

Thursday, April 25, 2013

Paint Snow Hill 2013

Last Year's Corn

I got home from Paint Snow Hill on Sunday evening. It was a blast, as usual. There were 70 artists painting, and all total 49 paintings were sold at the show. Five of those were mine. And I made another trade with Jess Cross Davis at the end. Here is my Paint Snow Hill 2013 photo album complete with notes and stories if you would like to take a look.

Girdletree Maybe

Working at Dave's house