Mama is having a much needed day off to work on projects--thank you very much, Papa. And I completed a little housewarming doodle that's been weighing on my conscience for several years. The colors are more vivid than in the photo. Once I get it framed I will pop it in the mail to Tmomma and her family. I promised her I would finish it before they moved out, and looks like I made it in the nick of time! No matter where they land it will be a reminder of their home together when the boys were small. My day off is still rolling...other projects are calling my name!
Showing posts with label Watercolor. Show all posts
Showing posts with label Watercolor. Show all posts
Sunday, February 19, 2012
Housewarming for the Stuarts
Mama is having a much needed day off to work on projects--thank you very much, Papa. And I completed a little housewarming doodle that's been weighing on my conscience for several years. The colors are more vivid than in the photo. Once I get it framed I will pop it in the mail to Tmomma and her family. I promised her I would finish it before they moved out, and looks like I made it in the nick of time! No matter where they land it will be a reminder of their home together when the boys were small. My day off is still rolling...other projects are calling my name!
Saturday, December 31, 2011
Gallery of sold paintings 2011
Polar bears, acrylic and china marker on canvas, 2009 - gift to my daughter Maureen.
Porter's Crossing, acrylic and china marker on panel, 5" x 7", 2011.
Crop Rotation, acrylic and china marker on panel, 5" x 7", 2010 - gift to my sister Jenny.
Family Tree, watercolor and Sharpee on paper, 7" x 5", 2011 - anniversary gift to my husband.
Friday, December 31, 2010
Gallery of sold paintings 2010
Dented old horns, charcoal on paper, approximately 25" x 20" framed, 2001 - gift to my brother Joe.
Paint the Town, acrylic and china marker on panel, 11" x 14", 2009.
February 12, watercolor and Sharpee on paper, 5" x 7" matted, 2010.
February 11, watercolor and Sharpee on paper, 5" x 7" matted, 2010.
February 7, watercolor and Sharpee on paper, 7" x 5" matted, 2010.
February 20, watercolor and Sharpee on paper, 5" x 7" matted, 2010.
Mt. Wesley Road, acrylic and china marker on panel, 7" x 5", 2010 - housewarming gift to Jessie Lingebach.
Furrows, acrylic and china marker on panel, 5" x 7", 2010.
Middle Passage, acrylic on panel, 14" x 11", 2010.
Sigma, acrylic and china marker on panel, 7" x 5", 2010 - graduation gift to Vitad Pradith.
Sunshine, acrylic on paper monoprint, 7" x 5" matted, 2010.
Sunset, acrylic on paper monoprint, 7" x 5" matted, 2010.
Swanky, acrylic on canvas, 10" x 8", 2005.
Various birdhouses constructed by my husband Robb and decorated like cuckoo clock chalets by me for the craft fair, 2010.
Thursday, April 8, 2010
Mysteries of paint mixing revealed
I talk about mixing paint like it's no big deal, but I think the idea of making colors is very daunting to the beginning painter. And some days it frustrates the heck out of experienced painters. The color wheel of primary and secondary colors can only give a basic idea of mixing, but it's not very helpful when you are trying to learn the capabilities and nuances of the art supplies in front of you. Whether you're new to painting or simply need to brush up--heh, pun--on your mixing skills, I have a tiny, tedious tool just for you: The Mixing Chart of Doom.

Kidding--no doom is involved. Why does everyone cower in fear and confusion when a blank mixing chart appears? Please don't cower! It's a simple grid with the same 6 paint color names written along each axis. And I am going to walk you through it. Here, hold my hand.

The top left square (column 1, row 1) represents the intersection of White and White. Because I am using watercolor paints this morning for the demonstration, the paint color White will be played by the white watercolor paper. If you are using watercolor paint, leave this square blank. If you are using acrylic or oil paint, please use your White paint to fill in the top left square.
The square immediately below that (column 1, row 2) represents the intersection of Yellow (see the name to the left) and White (see the name at the bottom of the column). Does that make sense? If you are using watercolor paint, fill in this square with very diluted Yellow. If you are using acrylic or oil paint, mix Yellow with White and fill in this square with that mixture.

The square to the right of that one (column 2, row 2) represents the intersection of Yellow (look left) and Yellow (look below). Please fill this square in with Yellow.

Moving down to the third row... The first square (column 1, row 3) represents the intersection of Blue (look left) and White (look below). If you are using watercolor paint, fill in this square with very diluted Blue. If you are using acrylic or oil paint, mix Blue with White and fill in this square with that mixture.
The square to the right (column 2, row 3) represents the intersection of Blue (look left) and Yellow (look below). Mix Blue and Yellow and fill in this square with that mixture.
The next square to the right (column 3, row 3) represents the intersection of Blue and Blue. Fill in this square with Blue.

Next move onto the Greens in row 4. Carefully look to the name on the left of the row and the bottom of the column for each square:
Row 4 + column 1 = Green + White
Row 4 + column 2 = Green + Yellow
Row 4 + column 3 = Green + Blue
Row 4 + column 4 = Green + Green

Are you getting the hang of it now? I realize am being very specific and repetitive, but it's only for the sake of clarity. I have seen more than one painter tear out their hair trying to put together a decent mixing chart. And it's a shame because the chart is such a useful tool when it's complete.

Now onto the Reds:
Row 5 + column 1 = Red + White
Row 5 + column 2 = Red + Yellow
Row 5 + column 3 = Red + Blue
Row 5 + column 4 = Red + Green
Row 5 + column 5 = Red + Red

And finally:
Row 6 + column 1 = Black + White
Row 6 + column 2 = Black + Yellow
Row 6 + column 3 = Black + Blue
Row 6 + column 4 = Black + Green
Row 6 + column 5 = Black + Red
Row 6 + column 6 = Black + Black
It doesn't need to be pretty, only practical.

Here's the huge one I made--battle scars and all--when I taught acrylic painting classes a few years ago. All of the paint names are a little different, but it's the same 6 core colors. You can make your chart with as many squares as you need so that it includes every color in your arsenal. But the Mixing Chart is a great quick reference tool if you want to see how each of your paint colors interacts with the each of the others. Hope this is helpful!
Kidding--no doom is involved. Why does everyone cower in fear and confusion when a blank mixing chart appears? Please don't cower! It's a simple grid with the same 6 paint color names written along each axis. And I am going to walk you through it. Here, hold my hand.
The top left square (column 1, row 1) represents the intersection of White and White. Because I am using watercolor paints this morning for the demonstration, the paint color White will be played by the white watercolor paper. If you are using watercolor paint, leave this square blank. If you are using acrylic or oil paint, please use your White paint to fill in the top left square.
The square immediately below that (column 1, row 2) represents the intersection of Yellow (see the name to the left) and White (see the name at the bottom of the column). Does that make sense? If you are using watercolor paint, fill in this square with very diluted Yellow. If you are using acrylic or oil paint, mix Yellow with White and fill in this square with that mixture.
The square to the right of that one (column 2, row 2) represents the intersection of Yellow (look left) and Yellow (look below). Please fill this square in with Yellow.
Moving down to the third row... The first square (column 1, row 3) represents the intersection of Blue (look left) and White (look below). If you are using watercolor paint, fill in this square with very diluted Blue. If you are using acrylic or oil paint, mix Blue with White and fill in this square with that mixture.
The square to the right (column 2, row 3) represents the intersection of Blue (look left) and Yellow (look below). Mix Blue and Yellow and fill in this square with that mixture.
The next square to the right (column 3, row 3) represents the intersection of Blue and Blue. Fill in this square with Blue.
Next move onto the Greens in row 4. Carefully look to the name on the left of the row and the bottom of the column for each square:
Row 4 + column 1 = Green + White
Row 4 + column 2 = Green + Yellow
Row 4 + column 3 = Green + Blue
Row 4 + column 4 = Green + Green
Are you getting the hang of it now? I realize am being very specific and repetitive, but it's only for the sake of clarity. I have seen more than one painter tear out their hair trying to put together a decent mixing chart. And it's a shame because the chart is such a useful tool when it's complete.
Now onto the Reds:
Row 5 + column 1 = Red + White
Row 5 + column 2 = Red + Yellow
Row 5 + column 3 = Red + Blue
Row 5 + column 4 = Red + Green
Row 5 + column 5 = Red + Red
And finally:
Row 6 + column 1 = Black + White
Row 6 + column 2 = Black + Yellow
Row 6 + column 3 = Black + Blue
Row 6 + column 4 = Black + Green
Row 6 + column 5 = Black + Red
Row 6 + column 6 = Black + Black
It doesn't need to be pretty, only practical.
Here's the huge one I made--battle scars and all--when I taught acrylic painting classes a few years ago. All of the paint names are a little different, but it's the same 6 core colors. You can make your chart with as many squares as you need so that it includes every color in your arsenal. But the Mixing Chart is a great quick reference tool if you want to see how each of your paint colors interacts with the each of the others. Hope this is helpful!
Monday, March 1, 2010
Painting a Day Project
In an effort to fight the winter blues--and it was a doozy of a winter this year--I challenged myself to make a watercolor sketch every day in the month of February and more or less managed to pull it off. I created an album of the whole month on Flickr.
Thursday, December 31, 2009
Gallery of sold paintings 2009
Grace Church, watercolor and Sharpee on paper - gift to my brother-in-law George.
Brianna feeding Mila, watercolor and Sharpee on paper - gift to my sister-in-law Chere.
Various small watercolor paintings from my "Around the House" series, all 5" x7" matted, 2009.
Peony Buds, acrylic and china marker on paper, 2009.
Sunbather, watercolor and Sharpee on paper, 5" x 7" matted, 2009.
Lounge, watercolor and Sharpee on paper, 5" x 7" matted, 2009.
Block print thank you cards, 2009.
Saturday, December 26, 2009
Christmas gift for Chere
Tuesday, December 15, 2009
Commission embroidery
Charlene asked me to embroider an image of the Eiffel Tower on a t-shirt to be a Christmas gift for her friend Jenn--who LOVES Paris. Now I have never been to Paris, but I also don't think I have ever really looked closely at the Eiffel Tower before. So my first step was a little internet research.
A few useful images later, and I could begin laying out my sketch in tailor's chalk.
And several hundred tiny stitches later, a shirt was born. (Thank you, Robb, for being my model!)
Friday, November 20, 2009
Craft fair preview - part 3
It's pandemonium here at Fig Point as I scurry around making the final preparations for tomorrow's Holiday Craft Fair in between my shifts at the Big-Box.

I finished a merino wool and mohair ladies stocking cap. (It's a little darker and a little greener in real life.)

I gave all the scarves a nice spritz of lavender infused water.

I tagged the bracelets that Mom made for the craft fair.

I designated several small acrylic paintings to bring with.

I matted more watercolor paintings.

I found my stash of note cards.

And I made more note cards.

And I made more note cards.

And I made more note cards.

And I made MORE note cards. !!!
I made a bunch of funny little signs and tags and homemade business cards and stuff. And then I ironed a table cloth and bent my ironing board. It was apparently not meant to bear my entire body weight. Long story. I leaned over it when I was plugging in the iron and felt it dip down and not rebound. Now it's sort of wonky. Okay, I guess that wasn't a long story at all.
So. See you tomorrow at the Grace Church Holiday Craft Fair! (Details are here.)
I finished a merino wool and mohair ladies stocking cap. (It's a little darker and a little greener in real life.)
I gave all the scarves a nice spritz of lavender infused water.
I tagged the bracelets that Mom made for the craft fair.
I designated several small acrylic paintings to bring with.
I matted more watercolor paintings.
I found my stash of note cards.
And I made more note cards.
And I made more note cards.
And I made more note cards.
And I made MORE note cards. !!!
I made a bunch of funny little signs and tags and homemade business cards and stuff. And then I ironed a table cloth and bent my ironing board. It was apparently not meant to bear my entire body weight. Long story. I leaned over it when I was plugging in the iron and felt it dip down and not rebound. Now it's sort of wonky. Okay, I guess that wasn't a long story at all.
So. See you tomorrow at the Grace Church Holiday Craft Fair! (Details are here.)
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